{"id":298,"date":"2021-11-01T17:01:00","date_gmt":"2021-11-01T17:01:00","guid":{"rendered":"http:\/\/sofiap.sitesitt.net\/?page_id=298"},"modified":"2022-07-29T16:52:30","modified_gmt":"2022-07-29T16:52:30","slug":"reflexos-de-uma-paisagem-em-transparencia","status":"publish","type":"page","link":"https:\/\/sofiapidwell.pt\/pt\/exhibitions\/reflexos-de-uma-paisagem-em-transparencia\/","title":{"rendered":"Exhibitions_06"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"298\" class=\"elementor elementor-298\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dcc11cd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"dcc11cd\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column 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elementor-nav-menu--layout-vertical e--pointer-none\">\n\t\t\t\t<ul id=\"menu-1-62f19c1\" class=\"elementor-nav-menu sm-vertical\"><li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2418\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/about-the-artist\/\" class=\"elementor-item\">About the Artist<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-109\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/exhibitions\/\" class=\"elementor-item\">Exhibitions<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2372\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/performance\/\" class=\"elementor-item\">Performance<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-110\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/walldrawings\/\" class=\"elementor-item\">Walldrawings<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-107\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/biography\/\" class=\"elementor-item\">Biography<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2417\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/artist-statement\/\" class=\"elementor-item\">Artist Statement<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1957\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/buy-works\/\" class=\"elementor-item\">Buy works<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-106\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/contact\/\" class=\"elementor-item\">Contact<\/a><\/li>\n<li class=\"trp-language-switcher-container menu-item menu-item-type-post_type menu-item-object-language_switcher current-language-menu-item menu-item-2054\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/wp-json\/wp\/v2\/pages\/298#TRPLINKPROCESSED\" class=\"elementor-item elementor-item-anchor\"><span data-no-translation><span 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179 150 196 150 212 150 229 154 242 171 254L408 500 167 742C138 771 138 800 167 829 196 858 225 858 254 829L496 587 738 829C750 842 767 846 783 846 800 846 817 842 829 829 842 817 846 804 846 783 846 767 842 750 829 737L588 500 833 258C863 229 863 200 833 171 804 137 775 137 742 167Z\"><\/path><\/svg>\t\t<\/div>\n\t\t\t\t\t<nav class=\"elementor-nav-menu--dropdown elementor-nav-menu__container\" aria-hidden=\"true\">\n\t\t\t\t<ul id=\"menu-2-62f19c1\" class=\"elementor-nav-menu sm-vertical\"><li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2418\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/about-the-artist\/\" class=\"elementor-item\" tabindex=\"-1\">About the Artist<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-109\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/exhibitions\/\" class=\"elementor-item\" tabindex=\"-1\">Exhibitions<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2372\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/performance\/\" class=\"elementor-item\" tabindex=\"-1\">Performance<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-110\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/walldrawings\/\" class=\"elementor-item\" tabindex=\"-1\">Walldrawings<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-107\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/biography\/\" class=\"elementor-item\" tabindex=\"-1\">Biography<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2417\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/artist-statement\/\" class=\"elementor-item\" tabindex=\"-1\">Artist Statement<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1957\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/buy-works\/\" class=\"elementor-item\" tabindex=\"-1\">Buy works<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-106\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/contact\/\" class=\"elementor-item\" tabindex=\"-1\">Contact<\/a><\/li>\n<li class=\"trp-language-switcher-container menu-item menu-item-type-post_type menu-item-object-language_switcher current-language-menu-item menu-item-2054\"><a href=\"https:\/\/sofiapidwell.pt\/pt\/wp-json\/wp\/v2\/pages\/298#TRPLINKPROCESSED\" class=\"elementor-item elementor-item-anchor\" tabindex=\"-1\"><span data-no-translation><span class=\"trp-ls-language-name\">English<\/span><\/span><\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-30bb59f\" data-id=\"30bb59f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f716254 elementor-widget elementor-widget-text-editor\" data-id=\"f716254\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><span class=\"s1\">Reflexos de uma paisagem em transpar\u00eancia<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-31f6823 elementor-widget elementor-widget-text-editor\" data-id=\"31f6823\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"sitt_strong\"><strong>Museu Soares dos Reis, Porto<\/strong><\/p><div id=\"dv_full_text\"><p>S\u00e1bado 25 novembro \u00e0s 15.30h<br \/>Ciclo &#8220;a\u00e7\u00f5es est\u00e9ticas quase instant\u00e2neas \u2014 parte 20&#8221;<\/p><p>\u00a0<\/p><p>SOFIA PIDWELL I REFLEXOS de uma PAISAGEM que TRANSPARECE<br \/>Apresenta\u00e7\u00e3o da obra in situ &#8211; desenhos nos vidros das passagens &#8211; 1\u00ba andar<br \/>Curadoria Maria de F\u00e1tima Lambert<\/p><p>\u00a0<\/p><p><i>&#8220;Hoje eu desenho o cheiro das \u00e1rvores.&#8221; &#8220;Entender \u00e9 parede: procure ser uma \u00e1rvore.&#8221;<\/i>\u00a0Manoel de Barros<\/p><p>\u00a0<\/p><p>Ver a paisagem atrav\u00e9s dos seus reflexos \u00e9 um exerc\u00edcio de acuidade visual e, simultaneamente, um deleite de esta\u00e7\u00e3o fora do lugar. As cam\u00e9lias apressam-se e a fonte do jardim interior do Museu adquire um aconchego, um regalo para olhar.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-035ff57 elementor-widget elementor-widget-toggle\" data-id=\"035ff57\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3531\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-3531\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg class=\"e-font-icon-svg e-fas-caret-down\" viewBox=\"0 0 320 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M31.3 192h257.3c17.8 0 26.7 21.5 14.1 34.1L174.1 354.8c-7.8 7.8-20.5 7.8-28.3 0L17.2 226.1C4.6 213.5 13.5 192 31.3 192z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg class=\"elementor-toggle-icon-opened e-font-icon-svg e-fas-caret-up\" viewBox=\"0 0 320 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M288.662 352H31.338c-17.818 0-26.741-21.543-14.142-34.142l128.662-128.662c7.81-7.81 20.474-7.81 28.284 0l128.662 128.662c12.6 12.599 3.676 34.142-14.142 34.142z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">full text<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-3531\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-3531\"><p>Ao longo de uma semana Sofia Pidwell &#8220;habitou&#8221; os dois cub\u00edculos envidra\u00e7ados e sim\u00e9tricos das duas alas do primeiro piso do Museu . Intermedeia o jardim interior, onde as japoneiras florescem antecipadamente, mergulhadas as flores pesadas na fonte circular. \u00c9 ou foi um ver\u00e3o tardio, extempor\u00e2neo , aquele que se vive(u) este presente ano, tendo alterado e apressado \u2014 em alguns casos &#8211; ritmos da natureza e vivencias de fauna, flora e gentes. Olh\u00e1mos o jardim atrav\u00e9s dos vidros grandes das passagens \u2014 assim s\u00e3o designadas por tradi\u00e7\u00e3o por aqueles que visitam e trabalham no Museu. Vemos a vegeta\u00e7\u00e3o profusa e questionadora, que est\u00e1 do lado de fora das Sala s onde se desenrola a exposi\u00e7\u00e3o permanente, como se fosse uma extens\u00e3o de conte\u00fados iconogr\u00e1ficos que povoam pinturas e, muito em particular, os biombos Nambam apresentados no segundo andar, no N\u00facleo dedicado \u00e0s Artes [ditas] Decorativas. Essas configura\u00e7\u00f5es retorcidas, que se enredam sobre si mesmas, interrogam-se sobre a exist\u00eancia: sua Fortuna ou Erro, parafraseando Lu\u00eds de Cam\u00f5es em seus sonetos.<\/p><p>\u00a0<\/p><p>As \u00e1rvores desceram das suas representa\u00e7\u00f5es transfiguradas nas narrativas dos Biombos Nambam, adquirindo uma autonomia, desinquietadas das vicissitudes dos protagonistas europeus e japoneses. Emanciparam-se da sua condi\u00e7\u00e3o de fundo metaf\u00f3rico e simb\u00f3lica, onde se agregavam e acentuavam os h\u00e1bitos, rotinas e tradi\u00e7\u00f5es contrapostas entre Oriente e Ocidente, para serem celebradas per se. Na cumplicidade entre elementos pictorializados nas paredes das Salas da Exposi\u00e7\u00e3o e as evid\u00eancias da natureza existente no Jardim Interior das Cameleiras\/Japoneiras \u2014 tradi\u00e7\u00e3o japonesa de novo a irromper no imagin\u00e1rio Ocidental, os troncos das \u00e1rvores desenhados por Sofia Pidwell, conciliam culturas e est\u00e9ticas diferenciadas, pois glorificam o que sejam imagens obcecantes \u2014 parafraseando Charles Mauron. Ou seja, elementos iconogr\u00e1ficos que se veem, se identificam como recorrentes, neste caso n\u00e3o tanto em cada autor por si, mas nas pr\u00e1ticas picturais, visuais tratadas na cronologia e na sincronia.<\/p><p>\u00a0<\/p><p><i>&#8220;Mas a paisagem move-se por dentro e por fora, encaminha-se do dia para a noite, vai de esta\u00e7\u00e3o para esta\u00e7\u00e3o, respira e \u00e9 vulner\u00e1vel. (&#8230;) A \u00e1rvore da Carne.&#8221; Herberto H\u00e9lder.<\/i><\/p><p>\u00a0<\/p><p>Por um lado, certo \u00e9, que na obra de desenhos in situ, produzidos por Sofia Pidwell as formas se distendem em \u00e1reas, muito frequentemente de dimens\u00f5es monumentais, evocando elementos da paisagem \u2014 entre c\u00e9u, terra e ar. S\u00e3o os movimentos das ondas de Hokusai; s\u00e3o as revolu\u00e7\u00f5es que os ventos empurram sobre os humanos; s\u00e3o as ondula\u00e7\u00f5es topogr\u00e1ficas de plan\u00edcies, planaltos ou mesmo de montanhas fantasm\u00e1ticas, de onde se vislumbra o sem fim do horizonte. Mas, tamb\u00e9m, s\u00e3o dinamismos gr\u00e1ficos de acumulo, onde as m\u00ednimas part\u00edculas das coisas \u2014 animadas ou inanimadas \u2014 se tomam como energias, como \u00e9lan vital. As c\u00e9lulas invis\u00edveis, de dentro do tronco das \u00e1rvores, fixaram-se nas paredes de vidro das passagens outorgando-lhe novos significados potenciais. Como se a vida dos organismos vivos invadisse os territ\u00f3rios onde se pertencem as obras de arte, depois de seus autores delas terem prescindido, compartilhando-as com todos aqueles que ainda nem se sabe existirem&#8230;<\/p><p>\u00a0<\/p><p><i>&#8220;Quem procura uma rela\u00e7\u00e3o justa com a pedra, com a \u00e1rvore, com o rio, \u00e9 necessariamente levado, pelo esp\u00edrito da verdade que o anima, a procurar uma rela\u00e7\u00e3o justa com o homem.&#8221; Sophia de Mello-Breyner<\/i><\/p><p>\u00a0<\/p><p>A presen\u00e7a da artista, numa breve resid\u00eancia art\u00edstica que permitiu a exist\u00eancia dos desenhos em simetria distanciada, propiciou uma incorpora\u00e7\u00e3o do meio na sua alteridade combinat\u00f3rio &#8211; o dentro e o fora do museu. Identificou parcelas de telas contempladas, momentos do jardim olhados &#8211; tudo incorporando nas estruturas conduzidas de modo a propiciarem leituras complementares. Olhando de um lado para a ala oposta do Museu, atrav\u00e9s do Jardim que permeia, as linhas condutoras dos desenhos geram ilus\u00f5es de continuidade, por camadas, em profundidade calculada, medida assim consignando situa\u00e7\u00f5es visuais inesperadas e completas. \u00c0 noite, com as luzes interiores e talvez numa lua em quarto crescente, os desenhos a verde adquirem uma volumetria densa, opaca, contrariando a ideia magna de uma paisagem, cujos reflexos concatenados, geram a sua pr\u00f3pria transpar\u00eancia. Um enigma viso-conceitual que a Artista se aplica em quase todas as suas produ\u00e7\u00f5es.<\/p><p>\u00a0<\/p><p>As \u00e1rvores transportam significa\u00e7\u00f5es, simbologias in\u00fameras que traduzem a genealogia da esp\u00e9cie humana, na sua condi\u00e7\u00e3o mais familiar ou distendida. De Caspar David Friedrich a Corot, a Fox Talbot na fotografia, de Paul Klee a Pedro Calapez ou Jo\u00e3o Queiroz , a pregn\u00e2ncia das \u00e1rvores \u00e9 uma exist\u00eancia, uma met\u00e1fora obcecante, de condi\u00e7\u00e3o quase ontol\u00f3gica, para al\u00e9m de est\u00e9tica ou antropol\u00f3gica. As \u00e1rvores jacentes erguem-se, pois a seiva e a fotoss\u00edntese artisticizadas assim o determinam, sob delibera\u00e7\u00e3o de Sofia Pidwell.<\/p><p>\u00a0<\/p><p>Recomenda-se que o visitante permane\u00e7a alguns minutos dentro das passagens e olhe dentro e fora para se privilegiar de uma viv\u00eancia est\u00e9tica (Erlebnis) que \u00e9 c\u00famplice de condi\u00e7\u00e3o entrop\u00e1tica (Einf\u00fchlung).<\/p><p>\u00a0<\/p><p>Assim, nesta solicita\u00e7\u00e3o \u00e0 contempla\u00e7\u00e3o ativa, concretiza-se a 20\u00aa interven\u00e7\u00e3o no \u00e2mbito do Ciclo &#8220;a\u00e7\u00f5es est\u00e9ticas quase instant\u00e2neas&#8221;, neste caso plasmando a condi\u00e7\u00e3o efetiva e intencionalizada, a consci\u00eancia demorada da Artista que sabe ter criado uma obra ef\u00e9mera, partilhada e sendo d\u00e1diva est\u00e9tica por demais.<\/p><p>\u00a0<\/p><p>Maria F\u00e1tima Lambert<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dc8b86a elementor-widget elementor-widget-gallery\" data-id=\"dc8b86a\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;columns&quot;:2,&quot;lazyload&quot;:&quot;yes&quot;,&quot;gallery_layout&quot;:&quot;grid&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;link_to&quot;:&quot;file&quot;,&quot;aspect_ratio&quot;:&quot;3:2&quot;,&quot;overlay_background&quot;:&quot;yes&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div 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quase instant\u00e2neas \u2014 parte 20&#8221; \u00a0 SOFIA PIDWELL I REFLEXOS de uma PAISAGEM que TRANSPARECEApresenta\u00e7\u00e3o da obra in situ &#8211; desenhos nos vidros das passagens &#8211; 1\u00ba andarCuradoria Maria de F\u00e1tima Lambert \u00a0 &#8220;Hoje eu desenho o [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":77,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-298","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.5 - aioseo.com -->\n\t<meta name=\"description\" content=\"About the Artist Exhibitions Performance Walldrawings Biography Artist Statement Buy works Contact English About the Artist Exhibitions Performance Walldrawings Biography Artist Statement Buy works Contact English Reflexos de uma paisagem em transpar\u00eancia Museu Soares dos 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