My work stems from an interest in understanding how a gesture, a presence or a direct encounter can alter someone’s perception. I am drawn to the internal shift that occurs when something minimal — a look, an approach, a simple action — creates a subtle displacement in the way a person sees or sees themselves.

I work across drawing, painting and performance because each medium reveals a different dimension of this investigation. In drawing, the concentrated gesture becomes visible thought. In painting, presence unfolds through colour and composition. In performance, the direct relation with the audience becomes an active field where internal dynamics and modes of being can emerge.

My work develops at the intersection between the visible and the invisible aspects of human behaviour. I create situations in which the audience becomes part of the work, not symbolically but as a real relational process. These moments operate as mirrors — spaces where a proposed gesture meets the perception of the other, and through that encounter, new forms of meaning arise.

I am interested in the impact of the minimal — in what exists only in direct contact, in what becomes perceptible when attention sharpens and body, image and relation begin to converse within a shared space of awareness.

It is within this territory — between gesture and perception, between the individual and the shared — that my artistic practice unfolds.